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The cover art prominently features the “Lightning Skull” logo. Who owns the Steal Your Face logo? Steal Your Face Whether or not you consider yourself a Deadhead, you’ve certainly seen the iconic Grateful Dead “dancing bears” a time or two. … Familiar Grateful Dead logos such as the Skull and Lightning, Skeleton and Roses, Dancing Bears, Space Your Face and Lightning Bolt are the subject of trademark registrations, both in connection with music and also in connection with merchandise. Since as early as 1974, the band registered the trademark for its name. Re: Grateful Dead fonts? look for the “Bad Acid” font, it’s very Rick “Griffin-ish”. It was legendary rock music promoter Bill Graham who helped catapult them into the scene.
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They became popular in the area with their free live shows which eventually led them to play at the Fillmore in San Francisco and the psych rock Trips Festival. … Being that Bear was the King of LSD, another popular theory is that the 13 points represent some aspect of the LSD molecule or the 13 steps involved in the chemical process of creating the trippy and transcendent drug. Why does the Grateful Dead Lightning Bolt have 13 points? One theory is that the 13 points represent the original 13 American colonies. Likewise, the band, which is well known for its associated artwork and iconography, has multiple trademark registrations to protect its logos. Originally Answered: Is the Dancing Bear trademarked? Yes, the Dancing Bears, adapted from a generic printer’s font by Bob Thomas, are trademarked. … The bear is a reference to Owsley “Bear” Stanley, who recorded and produced the album.Īlso, Are the Grateful Dead dancing bears copyrighted? From there, Deadheads began creating their own merchandise featuring the dancing bears including bootleg stickers and shirts to name a few, and the symbol was forevermore associated with the Dead.What is the story behind the Grateful Dead dancing bears? A series of stylized bears who appear to be dancing was drawn by Bob Thomas as part of the back cover for the album History of the Grateful Dead, Volume One (Bear’s Choice) (1973). Because the bears were featured on the album art as well as within the social sphere of communal drug use at the band’s live performances, they quickly became a symbol deeply entwined with the culture of listening to the Grateful Dead. What does this have to do with the dancing bears you ask?Īctually a lot! Following the release of the Dead’s album, the bears motif began appearing on Stanley’s LSD blotter art, which also just so happened to be widely circulated at most Grateful Dead concerts at the time. In addition to being the band’s sound engineer, Owsley Stanley was also one of the world’s first private LSD manufacturers. The Bears originally appeared on the back cover of the Grateful Dead’s Bear’s Choice album launching the design into the public eye, but this album circulation only accounted for a portion of the rapid fame attributed to the bears. The actual principal design for the style of bear we now commonly associate with the Grateful Dead was born from a 36-point lead type slug featuring a generic bear print that Thomas found and used as his primary artistic inspiration. There is also speculation that the moniker “Dancing Bear” was attributed to Stanley in reference to his peculiar choice of dance moves at concerts while high on acid. The choice to create a symbol using bears as the focal point stems from Owsley Stanley’s nickname “Bear” given to him by childhood friends as a result of his excessive chest hair. In addition to these ubiquitous graphics, Thomas also designed the art for the The Dead’s Steal Your Face and Live Dead as well as the logo for Alembic, an American manufacturer of high-end electric guitars, basses and preamps started by Owsley Stanley, the Grateful Dead’s sound engineer.
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Thomas actually has a long history tied with The Dead having co-designed the band’s iconic “Lightning Bolt” logo with Owsley Stanley in 1969 as a means of keeping track of the band’s equipment while on tour. The dancing bear design was originally created by artist and renaissance man Bob Thomas for use on the back of the Grateful Dead’s 1973 album The History of the Grateful Dead, Volume 1 (Bear’s Choice). A Design Born from Artistic Collaboration